Geekklesia

 A few nights ago, I sat down (virtually) with three other geeky pastors to talk about our geeky hobbies, and how they are intersecting with our vocations as pastors in our different churches.  On the panel sat Ben Avery, one of the hosts of the Strangers and Aliens podcast and children's pastor at Nappanee Missionary Church in Indiana, Hector Miray, author of the Faith and Fandom series of books and host of the Faith and Fandom podcast and Location Pastor at Vertical Church in North Carolina, and Derek White, a.k.a. the Geek Preacher, one of the hosts of the Dungeon Pastors vlog and pastor at Matthews Memorial UMCin Tennessee. Part 1 was posted to the Geekklesia Facebook page . Part 2 has just been posted.

Michael Cassutt is a writer and producer of a number of television series, including THE TWILIGHT ZONE (1985), THE OUTER LIMITS (1990), and EERIE, INDIANA (1991) and most recently, Z NATION (2014). But he can also take credit for his work on MAX HEADROOM (1987), and during this 30th anniversary celebration, I am thrilled that he agreed to an interview on what is now regarded as “the first cyberpunk television series.”  The interview was conducted during the 25th anniversary, and reposted here. GK: Thanks for subjecting yourself to this interview- this is very exciting for me, as I was in college, majoring in Radio/Television/Film when MAX HEADROOM debuted, so you can imagine how it resonated with me. And that affection has only grown over the years. So, to begin, how did you become involved in the MAX HEADROOM TV series? MC: I got hired on MAX because of Phil DeGuere, who was my boss on TWILIGHT ZONE. A vastly experienced network showrunner, Phil had been teamed with Peter...

LiveJournal Tags: Max Headroom , Cyberpunk , SF , Sci-Fi , SciFi , Science Fiction , TV , Television , Michael Cassutt , Interviews Michael Cassutt is a writer and producer of a number of television series, including THE TWILIGHT ZONE (1985), THE OUTER LIMITS (1990), and EERIE, INDIANA (1991). But he can also take credit for his work on MAX HEADROOM (1987), and during this 25th anniversary celebration, I am thrilled that he agreed to an interview on what is now regarded as “the first cyberpunk television series.” GK: Thanks for subjecting yourself to this interview- this is very exciting for me, as I was in college, majoring in Radio/Television/Film when MAX HEADROOM debuted, so you can imagine how it resonated with me. And that affection has only grown over the years. So, to begin, how did you become involved in the MAX HEADROOM TV series? MC: I got hired on MAX because of Phil DeGuere, who was my boss on TWILIGHT ZONE. A vastly experienced network showrunner, Phil had bee...